Резюме:

The name of the Soviet film director Sergei Eisenstein is widely known throughout the world. However, his theoretical work on editing is known only to small circles of critics and film theorists. Few know that his practical and theoretical work, which is largely based on what we call today the Soviet Film School, was accompanied by the great tensions that took place within the Soviet power circles. This article offers some reflections and thoughts on the complex relationship between power and art and, more specifically, the Soviet seventh art.

Ключевые слова: Eisenstein, montage, film editing, formalism, sotsrealism, political power.

Prigorian N. ¹ Sergei Eisenstein´s 120 th birth anniversary the soviet school of cinema // Культура и время перемен. – 2018. – № 1(20);
URL: timekguki.esrae.ru/36-308 (дата обращения: 29.04.2024).

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